Description of the Greek style in the interior:

The Greek (ancient Greek) interior style is characterized by the lack of luxury in the interior - the main difference from the ancient Roman style. The interior shows the power and strength of the ancient state, which is reflected both in furniture and decoration and decor items. Pastel colors in combination with marble are a recognizable element of style. There are elaborate draperies with patterns on the windows. 

In the Greek interior style, preference is given to cold colors. These are white, lemon yellow, sunny yellow, all shades of blue (from light blue to the most saturated), blue-green, blue-green, emerald colors. 

Greek-style walls: In the Greek style of the interior, bed tones, you can also use yellow and red tones as inserts. Greek-style walls are usually plastered and then covered in various patterns. The Greeks preferred ornaments of geometric shapes, as well as in the form of broken lines. A fresco will also look great in a Greek interior.

Ceiling in the Greek style: It can be made in the same color scheme as the walls (bed, gray tones), you can also paint it with relief images of the gods of ancient Greek scenes. In any case, the ceiling is left matte, emphasizing the antiquity of the ancient Greek style.

Floor in the Greek style: Small ceramic tiles, you can use a mosaic of shells or pebbles. Also in the Greek design, it is possible to create compositions from ceramic tiles and porcelain stoneware, while not departing from the general range of colors of the Greek style._cc781905 -5cde-3194-bb3b-136bad5cf58d_

Greek style furniture: Greek furniture is simple in form. These were: benches, ordinary and ceremonial chairs, low trapezoidal dining tables on three legs in the form of animal paws. The furniture was made of bronze, trimmed with gold, silver, upholstered, a bed with a headboard. The chairs are simple in shape, the legs are bent to the sides.

Decor items in the Greek style: Huge floor and small decorative vases decorated with geometric patterns, symbolic sculptures and figurines. An integral part of the interior in the Greek style is the use of columns. You can complement the Greek style by decorating the walls with laughing masks, and choosing door handles in the form of an animal head with a ring in its mouth. Greek ornamentation is characterized by both figured and floral, as well as geometric and architectural elements.

 

Pro Tips:

1. Greek style  - these are almost always light walls. More often these are wooden panels painted in a certain way, as if the wind, sun and sea tested the coating for strength. But it is better if it is rough textured plaster, which gives the Greek interior a strict simplicity and the necessary man-made charm. If you have uneven walls, then in this case, this will be a plus and will save a little time, effort and money.

2. Greek style in the interior combines various furniture. Give preference to low chairs, simple tables and cabinets made of pine or bog oak in light shades. They can be decorated with both carved elements and forged or lacquered iron. Also use ''terrace'' furniture, with textile inserts, woven rattan or reed. No upholstered furniture, especially upholstered in velvet, velveteen or leather!

3. It is desirable that the Greek-style ceilings are high enough to give the impression of spaciousness. The surface of the ceilings should be matte and textured, while maintaining the effect of man-made.

4. When installing a Greek-style floor in the interior, it is desirable to use a minimum number of floor coverings. The Greek style assumes the visual integrity of the room. Most preferred tiles, unglazed, warm terracotta tones. You can use imitation tiles, a decorative frieze, marble mosaic will also be appropriate.

5. The Greek style in the interior uses textiles more utilitarian than for aesthetic purposes. Fabrics are mostly of natural origin: linen, cotton, burlap. Curtains are a rarity, as external shutters or awnings have historically been used. You can use blinds made from natural materials (matting, bamboo, wood) or, in extreme cases, Roman blinds made from natural fabrics.

 

History of the Greek style:

The Greek style in the interior is inextricably linked with the culture of this empire, history, architecture. The culture of Ancient Greece (Hellas) began its formation 3 thousand BC. e. in the form of early class societies (tribes) in the south of the Balkan Peninsula, the islands of the Aegean Sea, the coast of Thrace and the western coastal strip of Asia Minor. City-states began to be created only in the VIII-VI centuries. BC e. V.

The Greek style and its history has several periods in Greek architecture, corresponding to its time, the position of society and culture.

Almost each of the periods is inseparably connected with the famous mythological theme, where the ancient Gods were immortalized on most of the masterpieces of architects, sculptors and artisans. The second important aspect was the image of power as a sign of the strength and prosperity of the great empire, whether in the image of the torso of Hercules or the famous discus thrower of the sculptor Myron, or in majestic columns or temples.

Ancient Greece was not afraid to show its strength and demonstrated it in every possible way. For example, we can take gladiatorial fights and the Olympic Games. Greek style constantly emphasizes this.

The earliest is the archaic period before the time of Solomon (590 BC). Passed in relation to architecture in the development of basic principles and forms; however, no material monuments of this period have been preserved.

The early classical period (590 BC - 470 BC) can be characterized as a gradual liberation from foreign influence, the transformation of elements brought from Asia and Egypt into forms corresponding to the spirit of the people and the conditions of their religious beliefs and rituals .

Of the temples of this era, located in Greece itself, one can point to the temple of Hera at Olympia, the temple of Zeus in Athens, the temple of Apollo at Delphi (one of the most famous and luxurious sanctuaries of ancient Greece) and the temple of Pallas Athena on the island of Aegina. The temple of Artemis in Ephesus, considered one of the wonders of the world, burned by Herostratus, renewed under Alexander the Great, should also be attributed to this period.

This was followed by the classical period (470 BC - 338 BC) - the most brilliant time of Greek art. In their own Greece, temples become more noble and harmonious both in their general character and in the proportionality of individual parts, and the architects take care of the luxury of material, forms and decorations.

Instead of limestone and sandstone, marble is used for buildings, which is available for finer processing and elegance of ornamentation. This period includes such buildings as the temple of Theseus in Athens, the temple of Nike Apteros, the temple of Demeter under the leadership, the temple of Zeus in Olympia, famous for its sculptural decorations, especially for the colossal statue of the father of the gods, executed by Phidias.

The next period of Hellenism (338 BC - 180 BC) no longer possesses the purity of taste of the previous era. Under the influence of the sensuality and effeminacy of the East, which penetrated into Hellas, the artists are mainly concerned with the splendor and showiness of their buildings; civil buildings are being built - theaters, palaces, etc.

The transition from the former direction to the new expresses the temple of the Winged Athena and the temple of Zeus in Nemea. Many buildings, striking in their luxury, appeared during this period in Asia Minor, in particular, the famous tomb monument of the Carian king Mausolus (Mausoleum in Halicarnassus).

The last is the period of Roman rule. After Greece fell under the rule of Rome, architectural activity almost completely ceased in itself; but its artists, who poured into the eternal city, transferred to it the traditions of their native art and greatly contributed to the decoration of Roman architecture.

In the last period of its history, Greek architecture is already merging with the history of Roman art.